Games

The Armies of Exigo

VO direction

Backyard Sports

Creative consult, development art

Blade Kitten

VO casting, VO direction, VO production

Cel Damage

Creative consult, motion design, cut-scene & in-game writing, development art, concept art, VO casting, VO direction

Coin-o-copia

Vector animation

Cranium (unpublished)

Pitch, concept, & production art, storyboards, animatics, motion design, VO casting

Crimson Skies (PC)

Story & character development, in-game & cut-scene writing, storyboards

ESP (unpublished)

Development & pitch art

The Flying Alphabetinis

Development art, art direction, vector & raster art assets, vector animation assets, sound design, music design

Game Room

Concept art, motion design

Incredible Idiots in Space (PS1)

Development art, concept art, motion design, in-game & cut-scene writing

Jimmy Neutron, Boy Genius: Jet Fusion

VO direction

Kinect/Natal (various)

Concept art, motion design

King Arthur

Script edit

Lost Planet (online)

Storyboards & animatics

The Legend of Spyro: The Eternal Night

Concept artist, characters, levels, props

(MULTIPLE TOP SECRET TITLES)

Multiple roles & services

Playmaker

Concept art, interface art, branding art, graphic art

Scene It? Box Office Smash

Concept art, motion design, storyboards, animatics

Scribble my Story

Vector props & illustrations

SEGA Card-Gen MLB

Full VO production: writing, research, VO casting, VO direction, VO edit

Space Siege

Story & scene storyboard panels

Star Wars The Clone Wars Lightsaber Duels

Concept art

Transformers: Revenge of the Fallen (Wii)

Concept art, storyboards, animatics, final in-game 2d animated scenes

Ty the Tasmanian Tiger

Character & story development, script editor, VO casting, VO direction

Ty: Bush Rescue

VO casting, VO direction

Ty: Night of the Quinkan

VO casting, VO direction, VO production

Universe at War: Earth Assault

Early (unused) development art

Viva Piñata: Party Animals

Concept artist

Whole Wide World

Development art, concept art, raster & vector art assets, interface art, graphic art

 

Other Media

Bergquist Singleseal

Sound design, VO casting, VO direction, VO production, music design

Bulletproof Monk

2nd unit (action) director's storyboards

College Bound

Episodic writing

Creepy Freaks

Full animation production

DC Hopper

Self-publishing

Firecracker

Flash animations

5 Wire Demo

Live action video direction & edit

Grade 2 Learning Express (Trend)

Print layout & rough illustrations

I & I (City of Minnetonka)

Development art, vector illustrations

Go Go Kiddo

Development art

Learning Fitness (Trend)

Print layout & rough illustrations

Mage Knight

Storyboards

Mama Mirabelle

Illustrations

Minnetonka Mike

Development art, vector illustrations

Oceanus

Storyboards, animatics, color studies

Portable Bear

Animated logo

Preschool Learning Express (Trend)

Print layout & rough illustrations

The Professor: Compression Deflection

Full animation production

The Professor: 5 Wire

Full animation production

The Professor: Heatseal

Full animation production

The Professor: Torrington Fans

Full animation production

The Survival Guide to School Success

Book illustrations, icons

Rocketmen

Full animation production

Rolie Polie Olie Busy Books

Print layout & rough illustrations

Toot and Puddle

Final illustrations

 

TV

The Addams Family (animated)

Development writing, production writing, storyboards, lyrics

Animal Crackups

Character design

Animaniacs

Storyboards (unused)

Angela Anaconda

Writing

Be Cool Scooby Doo

Storyboards, animatics

Brats of the Lost Nebula

Development writing, story edit, writing

Bruno the Kid

Supervising producer, graphic design

Bungle Brothers

Story direction, storyboards

Bunnicula

Story artist, animatics, music

Buster and Chauncey's Silent Night

Writing

Captain Caveman and Son

Story edit, writing, character design

Captain Planet

Writing

Care Bears

Storyboards

C.O.W. Boys of the Moo Mesa

Storyboards

The Pirates of Dark Water

Writing, storyboard cleanup

Dibo the Gift Dragon

Storyboards

Dino and the Cavemouse

Story direction, storyboards

Dino's Dilemmas

Story edit, writing, storyboards, character design

Doodlezoo (animated)

Art development, storyboards

Dragon Tales

Writing

Dragons: Riders of Berk

Storyboards

Extreme Ghostbusters

Story edit, writing

Flintstones (new)

IP development writing

The Flintstone Kids

Story edit, writing, storyboards, character design

The Flinstone Kids Just Say No

Writing, lyrics

GoBots

Writing

Housepets

Co-developer, development art & writing. pitches

Incredible Idiots in Space

Co-developer, development art & writing, pitches

HR Pufnstuf (new)

Development writing

Jetsons (new)

Writing

Jonny Quest (new)

Writing

Krypto the Superdog

Storyboards

Kwiky Koala

Story direction, storyboards

Larry Boy

Writing

Little Rascals (animated)

Storyboards

Midnight Patrol

Story edit, character design

The Mummy: The Animated Series

Storyboards

Ozzy and Drix

Storyboards

Pac Man (animated)

Storyboards

Paddington Bear

Development writing

Panda Club

Storyboards

New Pink Panther

Storyboards

Pink Panther and Sons

Writing

Pottsworth & Co. (s/a Midnight Patrol)

Story edit, writing, character design

ReBoot

Development writing, story edit, writing

Recess

Writing

Richie Rich (animated)

Writing

Rolie Polie Olie

Development writing, pitch writing, creative consultant, production writing, lyrics

Rugrats

Writing

Santo Bugito

Development writing, pitch writing, story editing, writing, lyrics

A Pup Named Scooby Doo

Story edit (1st season), produce (2nd & 3rd seasons), writing, character design

Scooby Doo and Shaggy Get a Clue

Storyboards

Scooby Doo on Zombie Island

Storyboards

Sonic the Hedgehog (animated)

Storyboards

The Sandbox Adventures

Full IP development, pitch materials, full animated short production

Secret Squirrel (new)

Writing

Smurfs

Concept art

Snorks

Story edit, writing, concept art

Sonic the Hedgehog (animated)

Storyboards

Strange Things

Creative consulting

Sugar Daddies

Full animated title production

Tex Avery Theater

Storyboards

The Town Santa Forgot (animated)

Storyboards

2 Stupid Dogs

Writing

Wacky Racers (new, unproduced)

Development writing

Where in the World is Carmen Sandiego

Writing

Woody Woodpecker (new)

Storyboards

 

"It's a perfect example of a clever idea executed with quality presentation and design…8.3…Great"

— IGN.com, Devil's Attorney

 

"The graphics are outstanding. Full of great detail and little animations, despite the game essentially being a 2D experience. Devil’s Attorney really comes to life with brilliantly created and designed characters. and these burst from the screen throughout the game. Just excellent! …5/5"

— androidtapp.com, Devil's Attorney

 

"4/4 - Must Have"

slidetoplay.com, Devil's Attorney

 

"5/5"

— Gamesaku.com, Devil's Attorney

 

"The aesthetics are solid…9/10"

— Appolicious.com, Devil's Attorney

 

"The game also has an extremely polished look to it, from its detailed character designs to McMann’s ever-improving apartment. There’s a very deliberate 80’s vibe to it all, and the music does a fantastic job of hammering that design choice home…5/5"

— Gamezebo.com, Devil's Attorney

 

"Jury's Honorable Mention"

— 9th International Mobile Game Awards, Devil's Attorney

 

"Great cartoon aesthetic"

— appspy.com, Devil's Attorney

 

"It didn’t take me long to get addicted to Devil’s Attorney: the crisp animation and art drew me in from the start, and its personality and gameplay keeps me coming back for more."
— Apptudes.com, Devil's Attorney

 

"The graphics of this game are fun and eye-catching"
— Toptenreviews.com, The Flying Alphabetinis

 

Q: "What's your favorite kid-friendly app?"

A: "Most of the social gaming apps I review are not for kids under 13. Recently, I found an exception. The Flying Alphabetinis is a social gaming app that everyone can play. My oldest best described it as Scramble with Friends for kids. Kids and family can play against each other to see who can find the most words. They can also send messages and invite friends to play in a kid-friendly environment."
— Anne Livingston, circleofmoms.com interview, The Flying Alphabetinis

 

"And all of this is supported by the wonderful script and voice acting in the game...Once they take to the skies, the constant chatter really gives you a sense that your wingmen and opponents are more than just simple AI routines. They're real characters with real emotions."

— IGN.com, Crimson Skies (PC)

 

"Crimson Skies can be so much fun that it'll remind you of why computer games were probably invented in the first place: to create absorbing, imaginative, alternate worlds to escape to."

— Gamespot.com, Crimson Skies (PC)

 

"The voice acting is simply outstanding and among the best you'll find in a computer game. Both the story and the voices are sufficiently campy for the pulp-novel atmosphere, but they also mimic the style of the time so well without crossing the line into parody that you can't help but be impressed."

— Gamespot.com, Crimson Skies (PC)

 

"Unlike most other PC flying and racing games, Crimson Skies had a story thrown in. This is usually the cornball out-of-place sort of thing you find on consoles…and it could have really dragged the game down. Thankfully it was well done, fit the theme perfectly and actually made the game better than it would have otherwise been."

— Metacritic.com, Crimson Skies (PC)

 

"The story fits in well with this vast scale, too—it's very endearing,"

— 1up.com, Crimson Skies (PC)

 

"This storyline soon becomes very interesting, and the atmosphere is enhanced greatly by the way that the story is carried through in-game conversations between pilots and in other "period" forms, such as radio broadcasts and newspaper cuttings, rather than through FMV cutscenes."

— Eurogamer.net, Crimson Skies (PC)

 

"Without a doubt, Cel Damage's visuals are its strongest trait, and they amount to an enticing experience. The characters, their vehicles, and the interactive landscapes are all well drawn and nicely animated--so much so that you might think you're playing a real-time cartoon."

— Gamespot.com, Cel Damage

 

"Cartoon squeaky voices and squeals aren't for everyone, but if you've played a share of cartoon games, you'll find that Cel Damage's characters are fresher than most. Since the humor is more teen than kiddie, the characters are a little more devious and twisted than they look grinning at you off the box."

— IGN.com, Cel Damage

 

"In no other game, however, will you be cleaved in half by a bull who screams, "Long live vegetarianism," and love it like in Cel Damage."
— Metacritic.com, Cel Damage

 

"Voice acting is memorable, breathing life into each of the ten characters. Voiced sounds range from simple reactions to humorous, character-unique taunts."

— Nintendojo.com, Cel Damage

 

"The voice acting is well done and helps keep up the playful tone of the title."

— IGN.com, Blade Kitten

 

"Krome Studios pulls off the cartoon aesthetic very well. This is most apparent in the visuals, obviously, but the voice acting is also surprisingly well done."

— 1up.com, Blade Kitten

 

"Around four hundred eighty people auditioned for the voice roles of the game's seven of the main characters."

— Wikipedia.org, Blade Kitten

 

"Q: What was your "best moment" during development?

A: There's been tons of cool moments during development like when systems come together but the best moment for me was sitting in the recording studio, getting ready to record Kit's voice actor (Kelly Fuller) and being worried that she wasn't going to work out right or not be any good. And then she delivers her lines and the director (Lane Raichert) and I just turn to look at each other with wide-eyed cheesy grins as she just nailed the character. We found our Kit and she was awesome."

— Steve Stamatiadis, Creative Director, Krome Studios, Creator of Blade Kitten

 

"This return of Scene It brings more movie clips, more recent titles, solid online play, and vastly improved visuals. The improvements leave little to criticize and everything to enjoy. Scene It? Box Office Smash is a great party game, and one that offers hours of enjoyment for even the most casual of players."
— Gamespot, Scene It? Box Office Smash

 

"Attractive yet simple graphics…I have found little to critique about in this review and with good cause since SIBOS is really a fantastic game, a great video game rendition of a board game and even better rendition of trivia than the original SI games provide...8.7...Great."

— Gamingexcellence.com, Scene It? Box Office Smash

"Having the voice actors play such a large role in the game's aural experience makes it seem as though you're actually playing through an episode of the cartoon."
— IGN.com, Jimmy Neutron: Jet Fusion

 

"The voices in the game are a nice highlight however. A definite cut above most titles; the humorous tilt and well-acted vocal work make a strong showing."

— IGN.com, Ty the Tasmanian Tiger

 

"Ty's voice acting is crisp, hip, to the point, and quickly gets the gamer back to the platforming action without fear of boredom."

— IGN.com, Ty the Tasmanian Tiger

 

"…the game's dialogue for the other characters is more involved, well written, and superbly voiced."

— Gamespot.com, Ty the Tasmanian Tiger

 

"The voice-acting is a cut above the usual drivel, and combined with the fairly humorous writing, is by far and away the most enjoyable aspect of the title."

— Allgame.com, Ty the Tasmanian Tiger

 

"Sound: This is really the best part of the game. The charming and fun voice acting really brings the characters to life."

— Gamefaqs.com, Ty the Tasmanian Tiger

 

"The voice acting is top-notch. Ty in particular sounds great, and none of the voices are so exaggerated as to get on one's nerves."

— Gamefaqs.com, Ty the Tasmanian Tiger

 

"At the time of its release, the original Ty featured some of the best voice acting out there, as far as platformers went. In Ty 2, the voice acting is still just as good, despite being up against much stiffer competition these days."

— IGN.com, Ty the Tasmanian Tiger 2: Bush Rescue

 

"The voice acting, once again, is top notch and gives the game a lot of character."

— Gamefaqs.com, Ty the Tasmanian Tiger 2: Bush Rescue

 

"Well-delivered voice dialogue."
— IGN.com, Ty the Tasmanian Tiger 3: Night of the Quinkan